Nikita Yingqian Cai 蔡影茜

广东时代美术馆副馆长及首席策展人。蔡影茜在时代美术馆策划了一系列展览，包括“一个（非）美术馆”（2011）、“蒋志：如果这是一个人”（联合策展，2012），“不想点别的事情，简直就无法思考”（2014）、“罗曼·欧达科：脚本”(2015),“大尾象：一小时、没空间、五回展”（2016）；“从不扔东西的人” (2017),“潘玉良：沉默的旅程（巴黎站）”（2017）。2012年起，她在时代美术馆发起了泛策展系列，以一年一度的研讨会及相关出版物为主要载体，将当代艺术置于一个相对广阔的政治、经济及文化语境之内进行考察，并将策展定义为一种跨学科的思考、研究、空间实践和知识交换的方式，历年主题包括：“脚踏无地：变化中的策展”（与卢迎华联合策划，2012）、“无为而为——弱机构主义与机构化的艺术实践” (与比利安娜·思瑞克联合策划，2013) 、“宅野之间——修身养性或持续革命”(与崔彬娜联合策划，2014) 、“未知之知：研究之于艺术实践”（2015）、“礼尚往来：收藏的展演”（2016）等。基于该系列的出版物包括《策展话题（中文版）》、《脚踏无地：变化中的策展》（与卢迎华联合主编,2014），以及《无为而为：机制批判的生与死》(与比利安娜·思瑞克联合主编，2014)。她也是一位评论家，长期为《艺术界》、artforum.com.cn、Yishu等艺术杂志和媒体撰稿。

Associate Director and Chief Curator at Guangdong Times Museum. She has curated such exhibitions as A Museum That is Not (2011), Jiang Zhi: If This is a Man (2012), You Can Only Think about Something if You Think of Something Else (2014), Roman Ondák: Storyboard (2015), Big Tail Elephants: One Hour, No Room, Five Shows (2016), The Man Who Never Threw Anything Away (2017), Pan Yuliang: A Journey to Silence at Villa Vassilieff, Paris (2017). She is also organizing the para-curatorial series at Guangdong Times Museum, which features an annual discursive platform and has covered topics such as: No Ground Underneath: Curating on the Nexus of Changes (2012), Active Withdrawal: Weak Institutionalism and the Institutionalization of Art Practice, (co-organized with Biljana Ciric, 2013), Cultivate or Revolutionize? Life between Apartment and Farmland (co-organized with Binna Choi, 2014), Between Knowing and Unknowing: Research in-and-through Art (2015), and Reciprocal Encounters: The Enactment of Collecting and its Modes of Representation (2016). Her writings have appeared in a number of publications and magazines, and she is a contributing writer to LEAP, Artforum.com.cn, Arttime, and Yishu Journal of Contemporary Chinese Art.